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	<title>Alibi Studio</title>
	<link>https://alibistudio.com</link>
	<description>Alibi Studio</description>
	<pubDate>Fri, 18 Aug 2023 14:32:08 +0000</pubDate>
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		<title>Splash Page</title>
				
		<link>https://alibistudio.com/Splash-Page</link>

		<pubDate>Fri, 07 Apr 2023 17:29:22 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

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*Alibi Studio is an architecture, art, and making practice with an enormous curiosity, focusing on the essence of the materials and the spaces we work in.


︎︎︎ enter ︎︎︎</description>
		
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		<title>Home</title>
				
		<link>https://alibistudio.com/Home</link>

		<pubDate>Fri, 07 Apr 2023 16:28:19 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

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		<description>


BUILT PROJECTS







	

	Buildings, installations, and objects. These are our works that live out in the world.









	

SECRET SKY 2019/Hume, MI

Secret Sky is the structural reworking of a barn in rural Michigan to allow the sky to enter and pass through the building.&#38;nbsp; 



	&#60;img width="3008" height="2008" width_o="3008" height_o="2008" data-src="https://freight.cargo.site/t/original/i/de13d01a26c1bf3eaab3501ef1095f2ae0e8c2a44619b9be318c56a0ac8794e1/Newell_SecretSky_Page_02.jpg" data-mid="174601679" border="0"  src="https://freight.cargo.site/w/1000/i/de13d01a26c1bf3eaab3501ef1095f2ae0e8c2a44619b9be318c56a0ac8794e1/Newell_SecretSky_Page_02.jpg" /&#62;






ECLIPSE 2019/Toledo, OHEclipse is a prototype for an architectural wall that highlights the use of glass in compression and the optical effects of volume color.



	&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/45aea1ce83b4442ae930fda2f08afa9d479b17aed11008797f857a10158ea74c/Eclipse_set_Page_03_o.jpg" data-mid="174601683" border="0"  src="https://freight.cargo.site/w/1000/i/45aea1ce83b4442ae930fda2f08afa9d479b17aed11008797f857a10158ea74c/Eclipse_set_Page_03_o.jpg" /&#62;




	


	LUNE 2022/Umbertide, Italy

Lune is a series of moons hidden within a castle in Italy. Made from local clay, the works are pulled from the land and suspended out of place.



	&#60;img width="2807" height="1874" width_o="2807" height_o="1874" data-src="https://freight.cargo.site/t/original/i/65611384b5d8b432843995d8500600211aecff2444bcb72cca5b201cd52439d9/DSC_1679-copy2.jpg" data-mid="174601993" border="0"  src="https://freight.cargo.site/w/1000/i/65611384b5d8b432843995d8500600211aecff2444bcb72cca5b201cd52439d9/DSC_1679-copy2.jpg" /&#62;



	SECOND STORY&#38;nbsp;2011/Filnt, MI &#38;amp; Chicago, IL



Second Story is a delicate cast and translation of the physical massing of a threatened historic home.







	&#60;img width="720" height="478" width_o="720" height_o="478" data-src="https://freight.cargo.site/t/original/i/2b88ba2babdef4a3a87fee09162a0d4fc9ce9a3c3cf63a9fd5e5d5111adc1194/Newell_Second-Story01web_o.jpg" data-mid="188017710" border="0"  src="https://freight.cargo.site/w/720/i/2b88ba2babdef4a3a87fee09162a0d4fc9ce9a3c3cf63a9fd5e5d5111adc1194/Newell_Second-Story01web_o.jpg" /&#62;


SALVAGED LANDSCAPE&#38;nbsp;
2010-2013/Detroit, MI

Salvaged Landscape was created while orchestrating the demolition of an arson-damaged home in Detroit.





	 &#60;img width="1350" height="900" width_o="1350" height_o="900" data-src="https://freight.cargo.site/t/original/i/f2665d73d4384b1219a3127e351ee2f618f97f75d71c77f3526398403dc2bd26/SL_03_unskinnedWEB_o.jpg" data-mid="174601747" border="0"  src="https://freight.cargo.site/w/1000/i/f2665d73d4384b1219a3127e351ee2f618f97f75d71c77f3526398403dc2bd26/SL_03_unskinnedWEB_o.jpg" /&#62;





	WEATHERIZING&#38;nbsp;2010/Detroit, MI



Weatherizing is the re-working of an abandoned garage to create a glowing effect that pierces the walls while preserving the dark volume from prior electrical theft and boarded-up windows.

 





	&#60;img width="602" height="400" width_o="602" height_o="400" data-src="https://freight.cargo.site/t/original/i/3eb4722da9a09d306507007ae6f057078eafa97328a254200d4853d4cf1852b5/web_Newell_5F_Weatherizing_night_o.jpg" data-mid="188018096" border="0"  src="https://freight.cargo.site/w/602/i/3eb4722da9a09d306507007ae6f057078eafa97328a254200d4853d4cf1852b5/web_Newell_5F_Weatherizing_night_o.jpg" /&#62;




UNLIT&#38;nbsp;2012/Venice Biennale, Italy

Unlit traces and honors the sublime dark volumes throughout&#38;nbsp; Detroit. It was made by echoing the process of deadening the light leaks in an abandoned space as windows are boarded up. 





	&#60;img width="1500" height="996" width_o="1500" height_o="996" data-src="https://freight.cargo.site/t/original/i/3819ce83e5c95a08b142d5ffeaad023420bfb02b8b43a9021b5ed81e93f679de/DSC_0402tweb_o.jpg" data-mid="188018362" border="0"  src="https://freight.cargo.site/w/1000/i/3819ce83e5c95a08b142d5ffeaad023420bfb02b8b43a9021b5ed81e93f679de/DSC_0402tweb_o.jpg" /&#62;



OVERNIGHT 2016/UMMA MuseumOvernight captures an instant in Detroit when its extensive darkness was displaced by new streetlights that began to mis-register the urban landscape.



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SPECIMEN&#38;nbsp;2012/Grand Rapids, MI

Specimen evokes a peculiar creature of irregular origins,&#38;nbsp; suspended in air, curious in its natural form and artificial in its existence.
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AVIALAE&#38;nbsp;2015/Lille, France

Avialae suspends in the air, out of place and time. Appearing natural in form, it is entirely artificial in its existence.





	&#60;img width="1200" height="801" width_o="1200" height_o="801" data-src="https://freight.cargo.site/t/original/i/2f3b58cfa2555fe94accbc9b4525641e69bf584ef26490137a8a309c2dae8cfd/Newell_Avialae01.jpg" data-mid="188018769" border="0"  src="https://freight.cargo.site/w/1000/i/2f3b58cfa2555fe94accbc9b4525641e69bf584ef26490137a8a309c2dae8cfd/Newell_Avialae01.jpg" /&#62;



CURFEW&#38;nbsp;2014/Rome, Italy

Curfew is a study of nighttime, the ghosting of a darkened window; it is made of strange and violent spatial lines embedded with candlewicks.





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TRESPASS&#38;nbsp;2014/Rome, Italy

Trespass works with an existing dark space to evoke and amplify the mystery, fear, and delicacy of a space as it falls into darkness.

 

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DEAD WIRE 2015/Lille, FranceDead Wire is a spatial interruption into the extensive copper wire scrapping industry of Detroit. 

	&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/90ab2f31ebd02f109a8ae7587e8e396c06bf1736821deb964a054024a910e41c/Newell_DeadWire01_o.jpg" data-mid="174601761" border="0"  src="https://freight.cargo.site/w/1000/i/90ab2f31ebd02f109a8ae7587e8e396c06bf1736821deb964a054024a910e41c/Newell_DeadWire01_o.jpg" /&#62;


For each of these works, the story of their making is just as rich as the completed result. Moments of inspiration often emerge in one project, passing that spark on to the next. In most cases the work celebrates the quietness of the time and space of solitude.

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	</item>
		
		
	<item>
		<title>BUILT INDEX</title>
				
		<link>https://alibistudio.com/BUILT-INDEX</link>

		<pubDate>Fri, 07 Apr 2023 18:16:55 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/BUILT-INDEX</guid>

		<description>
	&#60;img width="3008" height="2008" width_o="3008" height_o="2008" data-src="https://freight.cargo.site/t/original/i/de13d01a26c1bf3eaab3501ef1095f2ae0e8c2a44619b9be318c56a0ac8794e1/Newell_SecretSky_Page_02.jpg" data-mid="174606731" border="0"  src="https://freight.cargo.site/w/1000/i/de13d01a26c1bf3eaab3501ef1095f2ae0e8c2a44619b9be318c56a0ac8794e1/Newell_SecretSky_Page_02.jpg" /&#62;
	&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/45aea1ce83b4442ae930fda2f08afa9d479b17aed11008797f857a10158ea74c/Eclipse_set_Page_03_o.jpg" data-mid="174606732" border="0"  src="https://freight.cargo.site/w/1000/i/45aea1ce83b4442ae930fda2f08afa9d479b17aed11008797f857a10158ea74c/Eclipse_set_Page_03_o.jpg" /&#62;
	&#60;img width="2807" height="1874" width_o="2807" height_o="1874" data-src="https://freight.cargo.site/t/original/i/65611384b5d8b432843995d8500600211aecff2444bcb72cca5b201cd52439d9/DSC_1679-copy2.jpg" data-mid="174606733" border="0"  src="https://freight.cargo.site/w/1000/i/65611384b5d8b432843995d8500600211aecff2444bcb72cca5b201cd52439d9/DSC_1679-copy2.jpg" /&#62;


	Secret Sky
	Eclipse
	Lune




&#60;img width="720" height="478" width_o="720" height_o="478" data-src="https://freight.cargo.site/t/original/i/2b88ba2babdef4a3a87fee09162a0d4fc9ce9a3c3cf63a9fd5e5d5111adc1194/Newell_Second-Story01web_o.jpg" data-mid="188025378" border="0"  src="https://freight.cargo.site/w/720/i/2b88ba2babdef4a3a87fee09162a0d4fc9ce9a3c3cf63a9fd5e5d5111adc1194/Newell_Second-Story01web_o.jpg" /&#62;

	&#60;img width="1350" height="900" width_o="1350" height_o="900" data-src="https://freight.cargo.site/t/original/i/f2665d73d4384b1219a3127e351ee2f618f97f75d71c77f3526398403dc2bd26/SL_03_unskinnedWEB_o.jpg" data-mid="174606956" border="0"  src="https://freight.cargo.site/w/1000/i/f2665d73d4384b1219a3127e351ee2f618f97f75d71c77f3526398403dc2bd26/SL_03_unskinnedWEB_o.jpg" /&#62;

	&#60;img width="602" height="400" width_o="602" height_o="400" data-src="https://freight.cargo.site/t/original/i/3eb4722da9a09d306507007ae6f057078eafa97328a254200d4853d4cf1852b5/web_Newell_5F_Weatherizing_night_o.jpg" data-mid="188025211" border="0"  src="https://freight.cargo.site/w/602/i/3eb4722da9a09d306507007ae6f057078eafa97328a254200d4853d4cf1852b5/web_Newell_5F_Weatherizing_night_o.jpg" /&#62;



	Second Story
	Salvaged Landscape
	Weatherizing



&#60;img width="1500" height="996" width_o="1500" height_o="996" data-src="https://freight.cargo.site/t/original/i/3819ce83e5c95a08b142d5ffeaad023420bfb02b8b43a9021b5ed81e93f679de/DSC_0402tweb_o.jpg" data-mid="188025240" border="0"  src="https://freight.cargo.site/w/1000/i/3819ce83e5c95a08b142d5ffeaad023420bfb02b8b43a9021b5ed81e93f679de/DSC_0402tweb_o.jpg" /&#62;

	&#60;img width="1623" height="1087" width_o="1623" height_o="1087" data-src="https://freight.cargo.site/t/original/i/532c97da0d068f5db649cd6525d148d98d1a297285ba1c59ae87c57bbfa796ed/Overnight_UMMA_low_Page_03.jpg" data-mid="174606959" border="0"  src="https://freight.cargo.site/w/1000/i/532c97da0d068f5db649cd6525d148d98d1a297285ba1c59ae87c57bbfa796ed/Overnight_UMMA_low_Page_03.jpg" /&#62;

	&#60;img width="1500" height="996" width_o="1500" height_o="996" data-src="https://freight.cargo.site/t/original/i/bae86617a495a1135a542a68e207d75425bbd89454ec519c548952fab69d2e5c/DSC_0132web_o.jpg" data-mid="188025302" border="0"  src="https://freight.cargo.site/w/1000/i/bae86617a495a1135a542a68e207d75425bbd89454ec519c548952fab69d2e5c/DSC_0132web_o.jpg" /&#62;



	Unlit
	Overnight
	Specimen




&#60;img width="1200" height="801" width_o="1200" height_o="801" data-src="https://freight.cargo.site/t/original/i/2f3b58cfa2555fe94accbc9b4525641e69bf584ef26490137a8a309c2dae8cfd/Newell_Avialae01.jpg" data-mid="188025268" border="0"  src="https://freight.cargo.site/w/1000/i/2f3b58cfa2555fe94accbc9b4525641e69bf584ef26490137a8a309c2dae8cfd/Newell_Avialae01.jpg" /&#62;

	&#60;img width="2679" height="1667" width_o="2679" height_o="1667" data-src="https://freight.cargo.site/t/original/i/330e603929364fdf2c330d7d18575b39ed7b6b818bfe9d221652d1f2d159272b/c01_o.jpg" data-mid="188025260" border="0"  src="https://freight.cargo.site/w/1000/i/330e603929364fdf2c330d7d18575b39ed7b6b818bfe9d221652d1f2d159272b/c01_o.jpg" /&#62;

	&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/8e04fdfebe8e42ce446c1e4633b80195b30619fbeb38ee0e28ff55bb9848230e/tr_01_o.jpg" data-mid="188025284" border="0"  src="https://freight.cargo.site/w/1000/i/8e04fdfebe8e42ce446c1e4633b80195b30619fbeb38ee0e28ff55bb9848230e/tr_01_o.jpg" /&#62;



	Avialae
	Curfew
	Trespass



&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/90ab2f31ebd02f109a8ae7587e8e396c06bf1736821deb964a054024a910e41c/Newell_DeadWire01_o.jpg" data-mid="174606952" border="0"  src="https://freight.cargo.site/w/1000/i/90ab2f31ebd02f109a8ae7587e8e396c06bf1736821deb964a054024a910e41c/Newell_DeadWire01_o.jpg" /&#62;

	

	



	Dead Wire
	
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		<title>STUDY INDEX</title>
				
		<link>https://alibistudio.com/STUDY-INDEX</link>

		<pubDate>Fri, 07 Apr 2023 18:26:16 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/STUDY-INDEX</guid>

		<description>
	&#60;img width="3008" height="2008" width_o="3008" height_o="2008" data-src="https://freight.cargo.site/t/original/i/eef5efd38c228667207f3203671c43c8bf3c5fa92a446958ffdb01561e4a761c/DSC_3344.JPG" data-mid="188025719" border="0"  src="https://freight.cargo.site/w/1000/i/eef5efd38c228667207f3203671c43c8bf3c5fa92a446958ffdb01561e4a761c/DSC_3344.JPG" /&#62;

	&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/33691299c459ef6bf63e045d61c410a98b314de32b472ee1bd525edf0f2f841f/DSC_0201-copy.jpg" data-mid="188025729" border="0"  src="https://freight.cargo.site/w/1000/i/33691299c459ef6bf63e045d61c410a98b314de32b472ee1bd525edf0f2f841f/DSC_0201-copy.jpg" /&#62;

	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/a77a756643cd8b6471f9d6a375a0e4cda99fe994f6aa0b9ed86a290fc8839cad/_MG_9908-1_o.jpg" data-mid="174607398" border="0"  src="https://freight.cargo.site/w/1000/i/a77a756643cd8b6471f9d6a375a0e4cda99fe994f6aa0b9ed86a290fc8839cad/_MG_9908-1_o.jpg" /&#62;



	Light Forms
	Long Range
	

Catenary Slumped Glass



&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/63d779d43ae754d00b17a41a5aee73228b230154470c020858634b563990a04d/DSC_9151_o.jpg" data-mid="174607421" border="0"  src="https://freight.cargo.site/w/1000/i/63d779d43ae754d00b17a41a5aee73228b230154470c020858634b563990a04d/DSC_9151_o.jpg" /&#62;

	&#60;img width="2807" height="1874" width_o="2807" height_o="1874" data-src="https://freight.cargo.site/t/original/i/4726d7e6ce729d6de6064e71dbe42cd4df71110623cd1a6ffb2bc70c43fca9e6/DSC_1987-copy2.jpg" data-mid="174607391" border="0"  src="https://freight.cargo.site/w/1000/i/4726d7e6ce729d6de6064e71dbe42cd4df71110623cd1a6ffb2bc70c43fca9e6/DSC_1987-copy2.jpg" /&#62;

	&#60;img width="1504" height="1004" width_o="1504" height_o="1004" data-src="https://freight.cargo.site/t/original/i/ee33a1020979461d70e002feee2aad94a034ca8ffd1f90e756e0e100436bbeb9/Newell-HappeningNow_Page_55.jpg" data-mid="188025794" border="0"  src="https://freight.cargo.site/w/1000/i/ee33a1020979461d70e002feee2aad94a034ca8ffd1f90e756e0e100436bbeb9/Newell-HappeningNow_Page_55.jpg" /&#62;



	Light Fixtures
	Light + Glaze
	Roofless


</description>
		
	</item>
		
		
	<item>
		<title>*Secret Sky </title>
				
		<link>https://alibistudio.com/Secret-Sky-1</link>

		<pubDate>Fri, 18 Aug 2023 14:32:08 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/Secret-Sky-1</guid>

		<description>
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SECRET SKY 
Hume, Michigan

Secret Sky is the structural reworking of the barn to allow the sky to enter and&#38;nbsp; pass through the building. 
By day, the barn is noticeable for its patterning
and&#38;nbsp; intricacy and a massive cut 
with light pouring through it. At night, the work glows from within acting as a lantern in the landscape and casting long shadows on the ground that surrounds it, giving it back to the sky.


Team:
Charlie O'Geen etC Construction Services
John Gruber, Sheppard Engineering 

Project Team:
Terry Boyle
Maksim Drapey
Julia Jeffs
Mike Chin
Esther Yang
Kelly Gregory
Oliver Popalich
James Schalemberg
Tom Schalemberg


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	</item>
		
		
	<item>
		<title>*Eclipse</title>
				
		<link>https://alibistudio.com/Eclipse-1</link>

		<pubDate>Fri, 18 Aug 2023 14:11:25 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/Eclipse-1</guid>

		<description>
&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/45aea1ce83b4442ae930fda2f08afa9d479b17aed11008797f857a10158ea74c/Eclipse_set_Page_03_o.jpg" data-mid="188284641" border="0"  src="https://freight.cargo.site/w/1000/i/45aea1ce83b4442ae930fda2f08afa9d479b17aed11008797f857a10158ea74c/Eclipse_set_Page_03_o.jpg" /&#62;
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ECLIPSE 
Toledo, Ohio

Eclipse is a proposal for an architectural wall that highlights the edge view of glass for its many aesthetic and optical effects. Visual shifts and color changes are created based on the occupant’s position or movement in space, and the qualities of available light.

Support:
Pilkington Glass
Momentum Toledo

Consultants:
John Gruber, Sheppard Engineering
etC Construction Services

Team:
Jeffrey Richmond
Maksim Drapey
Hannah Kirkpatrick
Julia Jeffs

&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/dc219dfb85497d3dae7dc7b659f6a05b0c6fa6a61a0ea24c5d822ee2b687fde9/Eclipse_set_Page_05_o.jpg" data-mid="188284643" border="0"  src="https://freight.cargo.site/w/1000/i/dc219dfb85497d3dae7dc7b659f6a05b0c6fa6a61a0ea24c5d822ee2b687fde9/Eclipse_set_Page_05_o.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>*Lune: Borrowed Light</title>
				
		<link>https://alibistudio.com/Lune-Borrowed-Light</link>

		<pubDate>Wed, 21 Dec 2022 18:39:19 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/Lune-Borrowed-Light</guid>

		<description>
&#60;img width="2807" height="1874" width_o="2807" height_o="1874" data-src="https://freight.cargo.site/t/original/i/65611384b5d8b432843995d8500600211aecff2444bcb72cca5b201cd52439d9/DSC_1679-copy2.jpg" data-mid="174609900" border="0"  src="https://freight.cargo.site/w/1000/i/65611384b5d8b432843995d8500600211aecff2444bcb72cca5b201cd52439d9/DSC_1679-copy2.jpg" /&#62;
&#60;img width="2727" height="1820" width_o="2727" height_o="1820" data-src="https://freight.cargo.site/t/original/i/ea22a9432054f3e6c67ef06080cc5ea3855560ae1402f39acb0e780e61fca290/DSC_2170-copy2.jpg" data-mid="174610036" border="0"  src="https://freight.cargo.site/w/1000/i/ea22a9432054f3e6c67ef06080cc5ea3855560ae1402f39acb0e780e61fca290/DSC_2170-copy2.jpg" /&#62;
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LUNE: BORROWED LIGHT&#38;nbsp;
Umbertide, Italy

Lune: Borrowed Light is a series of moons hidden within a castle in Italy. Made from local clay, the works are pulled from the land and suspended out of place, allowing the architecture of the castle to host these ghostly celestial forms. Dark rich glazes cover the pieces, catching and borrowing the light from the greater surroundings as sky shifts across day and night. These moons were placed in intimate enclosures, briefly bringing close a planetary acquaintance often dreamed about from afar. And in the darkness of night, Lune vanishes when all the light is gone.

Lune: Borrowed Light was  undertaken at the amazing Civitella Ranieri for the WOJR/Civitella Ranieri Architecture Fellowship created by the generous and insight of William O'Brien Jr. The work was done in partnership with the astonishing Cotto Etrusco with mentoring from the brilliant Dino Finochhi and the cherished help of Greta and Diego Mencaroni.


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	</item>
		
		
	<item>
		<title>*Second Story</title>
				
		<link>https://alibistudio.com/Second-Story</link>

		<pubDate>Tue, 07 Jun 2011 15:31:58 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/Second-Story</guid>

		<description>
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a4f4b42046157545c4895bef61f5ab82e130a1a46f4f70c3e2813f1d29e94736/Newell_Second-Story-copy.jpg" data-mid="206274041" border="0"  src="https://freight.cargo.site/w/1000/i/a4f4b42046157545c4895bef61f5ab82e130a1a46f4f70c3e2813f1d29e94736/Newell_Second-Story-copy.jpg" /&#62;
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&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/bce6dfae09214db9ba2b600711eea76bb4c87279b74786b6a113f61ec8599904/DSC_0057-copy.jpg" data-mid="206274960" border="0"  src="https://freight.cargo.site/w/1000/i/bce6dfae09214db9ba2b600711eea76bb4c87279b74786b6a113f61ec8599904/DSC_0057-copy.jpg" /&#62;

SECOND STORY 
Flint, Michigan &#38;amp; Chicago, Illnois

(video walk thru)

Amplifying, transporting, and distorting the volumes surrounding and within a contested existing domestic environment, Second Story reconfigures spaces that were once familiar into an “other” occupation and visual register.  Used to imprint the space and excite the atmosphere, this inhabitable texture is driven by the manipulation of factory standard acrylic rods to capture, manipulate, and distort the existing volumes of the second story of Spencer’s Funeral home in Flint, Michigan, a house slated for demolition. Inherently transparent, the material both captures and permits the passing of light, visually distorting its presence and the view beyond, through refraction and reflection, altering both the context, the perception of its physical boundaries, and heightening the role of the building in the neighborhood. The work agitates, relocates, and makes accessible new volumes otherwise once unoccupiable: the exterior zone, the wall depth, and the depth of a windowsill. As a further technique of distortion and interplay of tectonic connection and assembly, the acrylic rods are systematically manipulated through the use of heat. One such technique allows for the bending and forming of components to create a pattern that resonates with its context, but also distorts the a priori relationships within the house to construct depth and volume originally unused or nonexistent. A further alteration is the tapering and pulling of the material, developing extensions and strands that flee in a near weightless in pursuit of space, altering the perception and depth they occupy.  The otherness of Second Story is further heightened by suspending the piece above the ground by tethering it to the building’s roof trusses so that it hovers to promote a ephemeral sense of space, an attuned acknowledgement of its surrounding, and an implied stretched atmosphere.

Project Team:
Lauren Bebry
Katie Schenk
Grant Weaver
Chuck Newell
Lisa Sauve
Carolyn Newell
Maciej Kaczynski
Drake Tolliver
Cheyenne Pinson

Second Story was commissioned by the Extension Gallery for Architecture, Chicago and made possible by the Graham Foundation.

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	<item>
		<title>*Salvaged Landscape</title>
				
		<link>https://alibistudio.com/Salvaged-Landscape</link>

		<pubDate>Sat, 01 Jan 2011 19:44:05 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/Salvaged-Landscape</guid>

		<description>
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&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5ab596e832c9f45f0ea1cc6d8f5f79e730b8ddfb8fa32fdd968b30dc51225217/1500_0DSC_0937a2_o-copy-2.jpg" data-mid="205855953" border="0"  src="https://freight.cargo.site/w/1000/i/5ab596e832c9f45f0ea1cc6d8f5f79e730b8ddfb8fa32fdd968b30dc51225217/1500_0DSC_0937a2_o-copy-2.jpg" /&#62;


SALVAGED LANDSCAPE 
Detroit, Michigan


Salvaged Landscape is the curated demolition of an arson home to create a new room in the house-- made possible only through the criminal existence of a fire. Using existing material from the house as the palette and existing spaces as formwork, Salvaged Landscape exploits the beauty of the charred wood and the spatial implications of a house. Demolished by hand, the existing house was carefully reconfigured into a new volume through processes of reversal and reconstruction that should never have existed. When the back half of the house was fully torn down, and the remaining portion stabilized in a perfect section cut, the collected and sorted wood was thrust back into the house as long cantilevers, positioned to create spatial passage and containment. This new, dense room with limited and aggressive occupancy was revealed to the city on Devil’s Night, a night in Detroit historically notorious for arson. The work is as much about the process of demolition and loss, as it is about what was made possible. Salvaged Landscape is embedded deeply into many harsh realities of the city, from arson, to historical policies, to conspiracy, to the deep social setting of the transient population. The extended site of Salvaged Landscape makes it clear that a project is not simply a standalone, and instead needs this struggle to exist. 

The scars of aggression are proof that time has already passed. When the timescales shift from a slow inheritance of an ailing city to an immediate impact of violence, disregard or indifference creates an unbearable silence. When tragedies are so harsh, so unthinkable, that their extensiveness is numbing, it is right to mourn and honor a space. Salvaged Landscape does that by taking on the disheartening and unbelievable presence of arson throughout the city. Though now diminishing in number, at the time of its making, the average number of arsons in the city was 15 per day. Insurance fraud, hate crimes, drug targeting, forced demolition, revenge and deranged forms of play all contributed to the strange normalizing of this dreaded event.  
 
This project was only possible because of the fire.


*AD Magazine article: Extenuating Circumstances.

*For a walk-thru; see Stephen McGee's Rough Cut. 

*Also, glimpses of Salvaged Landscape can be found in  the tHE iMAGINATION sTATION film by mK(e) hOSTETTLER. 



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	<item>
		<title>*Weatherizing</title>
				
		<link>https://alibistudio.com/Weatherizing</link>

		<pubDate>Sat, 01 Jan 2011 19:53:49 +0000</pubDate>

		<dc:creator>Alibi Studio</dc:creator>

		<guid isPermaLink="true">https://alibistudio.com/Weatherizing</guid>

		<description>
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WEATHERIZING 
Detroit, Michigan

As a material study and electrical experimentation, this alteration to a stand-alone garage mutates and activates the barrier between the atmospheres of the interior, and the greater surroundings on the exterior. As a replacement of the common flat-pane windows, Weatherizing utilizes the typical mediator of glass in an unusual configuration allowing for an altered understanding of volume and exchange. Comprised of nearly one thousand glass tubes, the work spatializes and amplifies light conditions, both natural and artificial, and the flow of air. Varying in length and bends, the aggregation of the glass tubes works as a material substrate upon which energy is captured in the form of a glow, and an accumulation of hollow channels conduits for energy, air, and precipitation. Mysterious and moody, reliant on the immediate qualities of the atmospheres, the luminosity becomes an eerie registration of the seemingly intangible surrounds and a foil to the once apathetic barrier.

This project was supported by the Taubman College of Architecture and Urban Planning, Oberdick Fellowship.

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